To this day “Tiffany” is synonymous with beautiful stained glass windows and lamps. Although never receiving credit, it is generally agreed that women designed and made most of the early lamps and more intricate windows. Their leader was Clara Drisscoll, an artist and ardent supporter of the working rights of women. Few details are known of her life and the author has used these to create her story as narrator of this tale of the “gilded age.” Readers interested in art and specifically stained glass will find the detail surrounding the creation of these pieces fascinating. There are also many particulars regarding life in New York City during this period, including the openings of the first skyscraper and subway. Clara’s personal story is interesting, but only a subplot to that of Tiffany Studios and the genius and shortcomings of its founder. The narrative seems grinding at times when plodding through the minutiae of some processes of glass production and the reader may be tempted to forsake the book. However, skimming over some of the more tiresome sections will be rewarded with tidbits on things such as the status of women and other minorities during the time and the thoughts behind the design of memorable pieces of art.