I say "graphic books" because not all are novels, and the ones I am most often drawn to are the graphic nonfiction--bios, memoirs, history lessons. I am not an expert on graphic books; I do not have boxes of comic collections accumulated since childhood (though I do fondly remember reading some of my older brother's X-Men comics as a kid--intrigued by smart, strong females like Storm, Jubilee, Rogue); but perhaps because I approach graphic books from a more literary view, I can translate their value to those who might otherwise relegate "comics" to their not-to-be-read shelf.
One of the best things about working in a library is the regular opportunity to talk about books (and other media) with people. Often, I can provide a recommendation for something else to read or try in those conversations, but it isn’t always a one-way street. Sometimes, patrons put books on my radar that I overlooked, either because the cover or description didn’t grab me, or it’s just outside my usual genre preferences. One of these books was Simone St. James’s The Broken Girls.
British aristocracy has an interesting hold on many people around the world, the closer to the Royal Family and the more intense this interest and scrutiny becomes.
Lady Glenconner served as a maid of honor at the Coronation of Elizabeth II in 1953, and was Extra Lady-in-waiting to Queen Elizabeth II's sister, Princess Margaret, Countess of Snowdon, from 1971 until the Princess died in 2002.
In The Undefeated we have a lovely novella with a leisurely pace by Una McCormack. This space opera is an introspective reminiscent view of a sixty-year-old's life. The novella blends science fiction life on other planets, colonialism's rise and fall, and an eerie near-apocalyptic setting.
Going to the movies these days is crazy expensive, including snacks, and it’s quite literally bad for your health at present due to COVID-19. What’s a movie buff to do? Johnson County Library has this situation on lock. Allow me to introduce the Kanopy collection, which offers award winning documentaries, rare and hard-to-find titles, film festival favorites, indie and classic films, and world cinema with collections from Kino Lorber, Music Box Films, Samuel Goldwyn, The Orchard, The Great Courses, PBS, select Janus Films in the Criterion Collection and thousands of indepe
I watched the first episode of Star Trek: Discovery when it premiered and...it just didn't feel like Star Trek to me. The Klingons looked like orcs from Peter Jackson's Lord of the Rings movies. The overall feel was too flashy while also being too cynical--and my favorite Star Trek series is Deep Space Nine, which is overall the darkest series in the franchise. Then the rest of the series was locked behind the paywall of the CBS All Access channel and I didn't want to pay to watch a series that turned me off with its first episode, so I gave up on it.
